SNOW WHITE

SNOW_WHITE_BLOG.jpg
SNOW_APPLE_GUCCI.jpg
SNOW_WHITE_PRINT_BLOG.jpg

In typical ‘Me’ fashion, I began this illustration almost two years ago! YIKES.
I finished the pencils on Snow, and then sat her on my ‘work in progress’ pile, a little mentally exhausted at the thought of having to draw her seven small companions. The only problem is that I then completely forgot to finish her!
It was only recently that I picked it back up, determined to complete my take on the beloved tale of ‘Snow White and the Seven Dwarfs,’ written by the Brothers Grimm.
My version depicts Snow as a confident, radiant Italian goddess - decked out in the finest garb this side of Milano - and surrounded by seven tiny men in the clearing in the woods that they call home; complete with forest creatures, wildflowers, oranges and lemons. Because, let’s face it, it’s not ALL about that apple.
Once again, I wasn’t overly interested in portraying the Prince, as he’s a bit of a background player in this story, and I preferred to keep the focus on Snow, herself.
Plus, who needs a Prince when you’re a #KWEEN surrounded by little Italian men in tailored suits?!

’Snow White’ has been added to my shop as a limited edition print of 40 A3, and 15 A2 prints, respectively. Click here to shop: www.birdyandme.com.au/shop

You can also find some of my favourite Snow inspired images below:

Carola Remer, photographed by Camilla Akrans, Vogue Germany, 2011

Carola Remer, photographed by Camilla Akrans, Vogue Germany, 2011

Yan Xu, photographed by Shxpir, Harper’s Bazaar China, 2013

Yan Xu, photographed by Shxpir, Harper’s Bazaar China, 2013

Natalia Vodianova, photographed by Cuneyt Akeroglu, S Moda, 2018

Natalia Vodianova, photographed by Cuneyt Akeroglu, S Moda, 2018

Snow White, photographed by Irving Penn for Vogue, Dec 1946

Snow White, photographed by Irving Penn for Vogue, Dec 1946

Beverly Peele, photographed by Bruce Weber, Vogue, 1991

Beverly Peele, photographed by Bruce Weber, Vogue, 1991

Shalom Harlow, photographed by Francois Nars, X-Ray

Shalom Harlow, photographed by Francois Nars, X-Ray

Gemma Ward, photographed by Steven Meisel, Vogue Italia, 2005

Gemma Ward, photographed by Steven Meisel, Vogue Italia, 2005

a NUTCRACKIN' CHRISTMAS

NUTCRACKER_BLOG.jpg
BLOG_NUTCRACKER_CARD.jpg
BLOG_NUTCRACKER_PRINT.jpg

It creeps up on us earlier and earlier every year, but even more so for those of us that need to prepare for the retail season. That’s right - Christmas is less than 8 weeks away!

My Christmas cards have become something of a tradition for me, and this year I wanted to combine one of my very favourite stories / ballets into the design. It’s been on my mind for so many years now but I hadn’t had the chance to fully dive in. So, in the same vein as my fairytale series, I present to you my take on ‘The Nutcracker.’
We see Clara, having magically shrunken down to the size of her gifted Nutcracker doll (the disguised Prince of The Land of Sweets), dancing and battling the night away in order to break the curse placed upon him by the evil (but still cute) Mouse King.

As a child I particularly loved one of its many animated variations, 1990s ‘The Nutcracker Prince’ but have since, of course, grown to appreciate its more original format in Tchaikovsky’s ballet.

It’s also a subjected that has enamoured both the fashion and beauty industries, with many a spectacular Christmas editorial for the likes of Vogue, W, M.A.C Cosmetics, and more…
You can find some of my favourites below. (Tim Walker certainly loves a ‘Nutcracker’ theme!)

For now though, I do hope you enjoy my version! I decided on a fresh green palette this year.
As usual, cards are available in very limited quantities, and once sold out will not be re-stocked.
Also, for the first time ever, I have made a VERY small print run of 10 limited edition prints for the Christmas décor enthusiasts that like to have something special to bring out once a year!
You can find both in my store now: www.birdyandme.com.au/shop

Karen Elson photographed by Tim Walker, Vogue UK, 2008

Karen Elson photographed by Tim Walker, Vogue UK, 2008

M.A.C Cosmetics ‘Nutcracker Sweet’ campaign, photographed by Tim Walker, 2016

M.A.C Cosmetics ‘Nutcracker Sweet’ campaign, photographed by Tim Walker, 2016

Marion Cotillard photographed by Tim Walker, W Magazine, 2012

Marion Cotillard photographed by Tim Walker, W Magazine, 2012

Natalia Vodianova photographed by Paolo Roversi, Vogue Russia, 2014

Natalia Vodianova photographed by Paolo Roversi, Vogue Russia, 2014

Karen Elson photographed by Tim Walker, Vogue UK, 2008

Karen Elson photographed by Tim Walker, Vogue UK, 2008

Vogue Korea

Vogue Korea

Shani Zigron photographed by Gustavo Papaleo, Vogue India, 2012

Shani Zigron photographed by Gustavo Papaleo, Vogue India, 2012

Paolo Sebastian 2018/2019 collection, Inspired by ‘The Nutcracker.’ via Vogue Australia

Paolo Sebastian 2018/2019 collection, Inspired by ‘The Nutcracker.’ via Vogue Australia

WONDERLAND

WONDERLAND_BLOG.jpg
WONDERLAND_FRAMED_BLOG.jpg

A subject I can never quite put to bed, ‘Alice in Wonderland’ has once again provided inspiration for my latest illustration and print in my Fairytales & Fables series.
It didn’t ease my fascination to recently visit the ‘Wonderland’ exhibit in Melbourne’s ACMI centre.
To see so many iterations of Lewis Carroll’s famous story, along with original artworks, manuscripts and various animation stills, was a treat beyond all others!
(Scroll down further for a few images from the exhibition.)

With a brain abuzz with Wonderland magic, and feeling inspired by a particular chapter in ‘Through the Looking Glass’ - ‘The Garden of Live Flowers’ - I decided to portray Alice in a garden bed surrounded by oversized, talking blooms.

'How is it you can all talk so nicely?' Alice said, hoping to get it into a better temper by a compliment. 'I've been in many gardens before, but none of the flowers could talk.'

'Put your hand down, and feel the ground,' said the Tiger-lily. 'Then you'll know why.

Alice did so. 'It's very hard,' she said, 'but I don't see what that has to do with it.'

'In most gardens,' the Tiger-lily said, 'they make the beds too soft — so that the flowers are always asleep.'

This sounded a very good reason, and Alice was quite pleased to know it. 'I never thought of that before!' she said.’

– Lewis Carroll.

Of course in this version we see Alice in all of her sartorial splendour with a little nod to the extraordinary impact she has had on the fashion and beauty industries via an imagined Diptyque scent Wonderland which would, of course, be used as a vase in its namesake habitat.
(As I, myself, do with my own empty vessels at home.)

I hope you like this latest ‘Alice’ illustration.

Prints are available in limited quantities in my shop here: www.birdyandme.com.au/shop

L-R Concept Art by Walt Disney Studios, Original Pencil Sketch by John Tenniel

L-R Concept Art by Walt Disney Studios, Original Pencil Sketch by John Tenniel

the SWAN PRINCESS

SWAN_PRINCESS_BLOG.jpg

Re-visiting an old classic with a new take on 'The Swan Princess.'

Whether you know the story from its various incarnations such as 'The Swan Princess,' or Tchaikovsky's 'Swan Lake,' you are no doubt familiar with the tragic heroine Odette. Cursed by an evil sorcerer (aren't they always) Odette is transformed by night into a beautiful white swan. 
A young prince, Siegfried, happens upon Odette one night  in the forest and becomes enamoured by her, his love the secret to breaking her curse. 
Act III sees the sorcerer deceive the prince by introducing him to his 'daughter,' Odile, the 'black' swan and a doppelgänger for his beloved Odette. The princes falls under her spell, inadvertently ruining Odette's chance of freedom.

The ballet itself is so incredibly beautiful, and the image of the heartbroken swan-girl is iconic.I have delved into this tale previously, but wanted to tackle it again to incorporate more detail; both the black and white swans, the enchanted forest, and that beautiful crescent moon.

'The Swan Queen' is available in my print shop now in a limited edition of 40 A3 prints and 15 A2 prints only.
You can find her here: www.birdyandme.com.au/shop

Keep scrolling for more 'Swan/Odette' inspired imagery!

Kate Moss photographed by Steven Klein for W Magazine

Kate Moss photographed by Steven Klein for W Magazine

Tim Walker for Vogue UK

Tim Walker for Vogue UK

Crista Cober photographed by Kristian Schullerfor Harper's Bazaar Turkey

Crista Cober photographed by Kristian Schullerfor Harper's Bazaar Turkey

Letitia Costa photographed by Mario Testino for Vogue Paris

Letitia Costa photographed by Mario Testino for Vogue Paris

Caroline Trentini photographed by Arthur Elgort for Vogue US

Caroline Trentini photographed by Arthur Elgort for Vogue US

BEAUTY & THE BEAST

It's come to the point in my fairy tale collection where I've started saving the best for last.
While it's so hard for me to play favourites, as so many different stories appeal to me for different reasons, 'Beauty and the Beast' is one of those stories that just gives me butterflies.
Admittedly, it's a tale that I never connected with until I saw the Disney adaptation in 1992. Prior to that, I think I had seen an 80s soap-style version that starred Linda Hamilton – which didn't exactly grip me. Of course, we can never forget Shelley Duvall's 'Faerie Tale Theatre.'
However, from the very first moment I laid eyes on that shiny, big screen and listened to a host of villagers sing 'Bonjour!' to each other I was hooked. I still vividly remember turning to my Mum half-way through 'Be Our Guest' and requesting we 'buy this on video as SOON as it comes out!'
It was love.
Over the past 25 (gulp!) years I have devoured other editions of the story - most notably the French live-action film starring Léa Seydoux as Belle and Vincent Cassell as the Beast.
This version is much more in keeping with the original tale and I highly recommend watching it. It's visually stunning.
I also have to make mention of Disney's current live-action remake. I admit - I've already seen it three times. On first viewing I wasn't sure what I thought of it, having already seen (and loved) such a high quality live-action version of the story, but also being so familiar with the original 1992 version.
However, on subsequent viewings, I was able to take it in without any pre–conceived ideas and just enjoy it for what it was.

I digress! Back to the illustration. I started my interpretation of this story almost a year ago!
I had some initial ideas of how I wanted to capture it in illustrated format, but I kept putting it off, wanting the idea to have time to grow if needed - and I was never entirely happy with what I was doing. To try to encapsulate such a delicately beautiful and layered story into just one image is not as easy as it sounds. There are so many themes within 'Beauty and the Beast' - not just the love story between Belle and the Beast, but also those of jealousy, greed, materialism and the superficial manner in which we can judge each other. There was also the symbolic nature of the rose.
Some interpretations of the original tale by Gabrielle-Suzanne Barbot de Villeneuve are quite grotesque. Others are beautiful, and opulent. I think we all tend to associate fairy tales with the fantasy of royalty and beauty. However, they always hark back to darker roots; stories created to scare children into making good moral choices. Which is why it can be so hard to truly depict each story.
But, strip it all back and no matter which way you look at it, this story is ultimately about love; lost, platonic, coveted, and deep, true love. Which is why I decided to focus my illustration on the enigmatic rose at the heart of the story - with a side of couture as always.
Depending on which version you want to read into, the rose symbolises the Beast's love for his previous wife; his grief and guilt at her death which was (inadvertently) caused by his own callous and beastly nature, but also the love that Belle's father feels for his daughter, as it is this rose that he plucks from the Beast's garden to give to Belle when he returns home. A rose is what Belle covets most, when all of her sisters crave jewels and finery. In the Disney version, the rose is a physical reminder of the Beast's curse, representing the time he has in which to break the curse that befalls him, before the last petal falls.
One of my favourite parts of researching this tale was seeing how their relationship is depicted in different variations of the story. I wanted to focus on the progression of their relationship, and in doing so fell back into the original tale. Belle, having taken the place of her father, sits down to an opulent dinner with the Beast each night. After every meal he asks her to marry him, a proposal she refuses. However, gradually, as she begins to know him, and to feel empathy and gratitude toward him for the kindness that he shows to her, she starts to see his true character beneath the beastly guise, and falls in love with him.
Chic as ever, dressed in Chanel-inspired lace, Belle and a Versace-clad Beast are ensconced inside the glass cloche, standing amongst opulent candelabras and the peony roses that represent their budding love affair.

The latest in the collection, 'Beauty and the Beast,' is available in my store now in limited A3 + A2 editions until sold out.

SHOP HERE: www.birdyandme.com.au/shop

More Beauty and the Beast inspiration below:

Drew Barrymore by Annie Leivobitz for Vogue (US)

Drew Barrymore by Annie Leivobitz for Vogue (US)

La Belle et la Bête, 2014 - Pathé Films

La Belle et la Bête, 2014 - Pathé Films

Karen Elson photographed by Tim Walker, Love Magazine, 2013

Karen Elson photographed by Tim Walker, Love Magazine, 2013

Beauty & the Beast, photographed by Giampaolo Sgura, Magazine Antidote, 2011

Beauty & the Beast, photographed by Giampaolo Sgura, Magazine Antidote, 2011

Kate Moss by Tim Walker, Vogue Italia, 2015

Kate Moss by Tim Walker, Vogue Italia, 2015

Beauty and the Beast, 2017 - Walt Disney Pictures

Beauty and the Beast, 2017 - Walt Disney Pictures

Alexander McQueen. Savage Beauty

Alexander McQueen. Savage Beauty

CINDERELLA

CINDERELLA_SHOP.jpg

The latest in my fairy tale series, and perhaps one of the most widely treasured - 'Cinderella'!

For so many of us, 'Cinderella' (told by the Brothers Grimm and, perhaps most famously, Charles Perrault) is synonymous with Walt Disney's classic animated film. Along with 'Snow White' it was one of the studio's very first in a long line of fairy tales.
We're so familiar with that 'Bibbity Bobbity Boo' scene, the stunning score, and that beautiful scenery (envisioned by the wonderful concept art of Mary Blair).

While Disney's version is so vivid in our memories, I wanted to focus less on the ball and the Prince, and more on Cinderella herself.
Of course those shoes makes a precious cameo, but it's all about that glorious gown and the transformation from rags to ravishing beauty. The birds and mice are getting her dressed and she's just about to throw that god-damned broom away.
In true fashionista style, our Cinderella proves that sometimes all it takes to improve your day is a killer pair of heels and a beautiful dress! Sure, you might have to sweep a few floors, but you'll feel pretty darn good doing it.

'Cinderella' is available now in a limited edition of 40 A3 prints, and 15 A2 prints, in my store here:
www.birdyandme.bigcartel.com
I hope I've done her justice!

View some of Disney's original 'Cinderella' concept art by Mary Blair (because I love it so much!) and a gif of THAT transformation below.

Artwork by Mary Blair for Walt Disney

Artwork by Mary Blair for Walt Disney

Artwork by Mary Blair for Walt Disney

Artwork by Mary Blair for Walt Disney

CINDERELLA

THUMBELINA


I can't describe how inspired I was by last week's visit to the Viktor & Rolf exhibit at the NGV in Melbourne.
One gown in particular struck a huge cord with me, along with this quote the boys had left on the wall at the exit;
"We design clothes that look like they were made by the birds in Cinderella."
UM, YES!
I feel like this idea encapsulates everything that is so whimsical and beautiful about fashion - and, in particular, Haute Couture.
These gowns are less about wearability and so much more about the fantasy of a character or mood, lending themselves so beautifully to that sort of suspension of disbelief we adopt when we read our favourite fairy tales. Which is exactly what I'm trying to achieve with this series of work.

Currently working my way through my favourite childhood stories, that quote paired with the stunning ribbon gown from
Viktor & Rolf's 2005 'Flowerbomb' collection really resonated when it came to my next effort - 'Thumbelina.'
It's probably quite clear to everyone how much the story and concept of 'Thumbelina' influences my work - just in my approach to scale, alone!
So, when tackling my illustrated version of this little lady I wanted to bring her into the world of fashion and have her 'mother' be a Parisien dressmaker; one who would create a gown for her from scraps of fabric and off-cuts from the floor.
Of course this particular gown was unbelievably fitting to my idea and as soon as I saw it in the exhibition I knew it was The One.
The mouse is also a nod to one of my childhood heroes, Beatrix Potter. After all, the mice in the building would no doubt help Thumbelina's mother stitch this beautiful gown!

I think this has to be my new favourite of the series <3

See more 'Thumbelina' inspiration below:

Lily Cole by Tim Walker for VOGUE Italia, 2005

Lily Cole by Tim Walker for VOGUE Italia, 2005

Andressa Fontana by Amanda Pratt for Karen, Issue 12

Andressa Fontana by Amanda Pratt for Karen, Issue 12

The Tailor Mouse by Beatrix Potter

The Tailor Mouse by Beatrix Potter

Viktor &amp; Rolf, Spring/Summer 2005

Viktor & Rolf, Spring/Summer 2005

ALICE IN GUCCI-LAND

Gucci Pre-Fall 2016

Gucci Pre-Fall 2016

Viktor &amp; Rolf, Photographed by Annie Leibovitz for Vogue US, 2003

Viktor & Rolf, Photographed by Annie Leibovitz for Vogue US, 2003

Photographed by Margaret Zhang for Seduce

Photographed by Margaret Zhang for Seduce

Photographed by Alexandra Sophie for Vogue China, 2016

Photographed by Alexandra Sophie for Vogue China, 2016

Given my love of Lewis Carroll's Alice, there was no question I would have to continue the series with her adventures 'Through the Looking Glass.'
The chief inspiration behind this piece was this incredible Gucci gown.
As soon as I saw it I immediately pictured it on our Queen of Curiosity. I mean, if ever a dress was made for its subject...

Taking place after she fell down the rabbit hole, 'Through the Looking Glass' sees Alice pulled into the 'other' room, where everything is back-to-front and the inhabitants have a flair for poetry!
While Wonderland was all about flamingos, rabbits and mad tea parties, the looking glass takes us into a giant game of chess and Alice's determination to become a Queen.
Those familiar with the tale, will also remember that the Tweedles first appear in 'Through the Looking Glass', and not 'Wonderland' as is commonly believed, so I had to include them in my version.

If you've not read the book, you can A) DO IT! NOW! or B) catch one of the many film adaptations, including this one from the BBC starring Kate Beckinsale and a whole lot of mad British fashions (take particular note of the supermodel flower bed.)
I also hope you enjoy some of these looking glass inspired images!

'The Looking Glass' is available to order now in my shop in both A3 + A2 sizes here: www.birdyandme.bigcartel.com
(Limited to a quantity of 40 + 15 respectively.)

THE BOOK IS CLOSING ON RAPUNZEL

Rapunzel, Rapunzel, conditioner's worst nightmare!

Such a popular print this year, and one of my favourites to have worked on.
I'm now down to my last 3 A3 prints before she is forever sold out in that size, and only a handful of A2 prints remain.

Give Rapunzel and her cascading mane a home by visiting the shop here: www.birdyandme.bigcartel.com

BELLE

Sharing this because I am beyond excited for Disney's live-action re-make of 'Beauty and the Beast' which dropped its first teaser trailer last week!
It looks so incredibly stunning and I'm sure it's going to be worth the (very long) wait! (2017 - YIKES!)
The teaser also felt timely given the fact that I'm currently working on the next installment of my fairy tale series, which is...you guessed it! Belle and her Beast!
Stay tuned...and re-watch the trailer below. Over and over and over again.